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Oct 28, 2004
Akhanda Bhajan
This year's Akhanda Bhajan will be on the weekend of November 13-14.
This is a continous 24 hour devotional singing session. This event is
held all over the world in all countries. We encourage all of you to
take part in your center's devotional singing program.
The bhajan commences with the lighting of the sacred lamp - the
Akhanda Jyothi - that is kept burning for 24 hours. Thus the sacred
lamp will be lit in each country during the 24 hour period based on
local time and by the time a Sai centre at Honolulu lights the
Akhanda Jyothi, centres in the East would have completed their
Akhanda Bhajan.
Before the Bhajans are completed the world would be a girdle of
Akhanda Jyothis lit round the globe in Sai Units. The Akhanda Jyothi
not only helps to concentrate the minds of devotees but promotes also
a sense of spiritual unity and harmony among the devotees. The
prayers will be for Peace in the world.
This is being done not for the sake of one individual, one nation, or
one community. It is for the welfare of humanity as a whole. The
Bhajans that are sung permeate the ether in the form of sound waves
and fill the entire atmosphere, thereby, the whole environment gets
purified." - Baba
AKHANDA BHAJAN
An Exposition by Bhagavan Sri Sathya Sai Baba.
Importance Of Bhajans
"As a matter of fact, Bhajan is a constant exercise. It has to be as
essential as breathing." Sai Baba. SSS. Vol. VI. p. 238
"Bhajans always give joy and peace."
Sai Baba, SSS, Vol. 1, p. 190
"Wherever My devotees sing, there I install myself. So sing from the
heart, conscious of the layers of meaning each word has. You can have
God installed in your heart." Sai Baba
"The Name (of God) undoubtedly brings in the grace of God. Meerabai,
the queen of Rajasthan, gave up her status, riches, fortune and
family, and dedicated herself to the adoration of the
Lord, "Giridhara Gopala". Her husband brought a chalice of poison and
she was ordered to drink it. She uttered the Name of Krishna while
she drank it. It was transformed into nectar by the grace the Name
invoked." Sai Baba. SSS. Vol. VI. p. 217
"Cast away ignorance; you are free, liberated from all bonds that
very moment. All spiritual disciplines have this liberation as their
goal. Nama-sankirtana (repetition of God's Names), too, helps you get
rid of this basic ignorance." Sai Baba, SSS. Vol. X, p. 70
"Measures for the elimination of egoism: the chief among these is the
Bhajan." Sai Baba. SSS, Vol. VI. p. 237
"Let your whole life be a Bhajan. Believe that God is everywhere at
all times, and derive strength, comfort and joy by singing His Glory
in His presence." Sai Baba. SSS. Vol. X. p. 75
"Bhajan is a good disciplinary process by which these two (Kama and
Krodha) can be kept away. Kama is the lust for physical pleasure,
power, fame, wealth and scholarship. Krodha is anger, which is the
result of foiled lust." Sai Baba, SSS, Vol. X. p. 79
"Bhajan (devotional singing) is more important than Bhojan (food).
Prayer is more important than pining for meals. Birds, beasts,
insects and worms, all feed and keep fit. Man is the crown of
creation, the monarch and master of all beings in creation. If he,
too, seeks only food and shelter as inferior species do, it is
deplorable indeed. From the moment of waking until the moment when he
lays himself down again to sleep, man is engaged in endless errands,
unceasing turmoil, never-ending tangles and boundless anxiety. And
what does he gain therefrom? More confusion, more mental agitation."
Sai Baba, SSS. Vol. X, p. 79
"You will relish the Bhajan as you make it a daily function, like
eating and sleeping. You eat twice a day for the upkeep of the body.
Should you not do Bhajan at least once for the upkeep of the mind?
Sai Baba, SSS, Vol. X, p. 81
"Those who sing Bhajans get what can be called 'double promotion',
for they derive joy and distribute joy. Life today is filled with
sorrow. It is beset with fear and despair. The only time you can
forget these thoughts and strengthen yourself to meet the hard times
is when you contact the source of all strength. God. You cannot get
that peace while you bend under the burden of daily life." Sai Baba,
SSS. Vol. X. p. 81
"Whenever an idea of hurting others or taking someone's belonging or
spreading falsehood about others enters your mind, turn to God for
help. Ask Him to give you strength. Repeat the Name of God or hum a
Bhajan. You will find that all your bad thoughts will flee, leaving
you free from evil." Sai Baba, SSS. Vol. X, p. 154
"The hands should be lifted in prayer and words should come out full-
throated. It is unfortunate that even those who are gifted with good
voices do not sing aloud in Bhajans. Man has been endowed with a
tongue to sing the praise of God. If he fails to do so, he remains
indebted to God." Sai Baba, SS. 8/96. p. 206
"The recitation of the Names of the Lord will help to purify the
atmosphere as a result of the sacred sound waves getting absorbed in
the atmosphere. The power of the sound waves is evident from the way
radio Waves are transmitted and received over long distances. The
atmosphere that has been polluted by impure sound waves can be
purified by chanting the Divine Name. Likewise, sacred thoughts, pure
speech and pure actions will purify other polluted elements. There is
no better purifying agent than this." Sai Baba. SS. 4/92. p. 71
Meaning Of Akhanda Bhajan
"Akhanda means uninterrupted, without any gap. "Akhanda-Bhajan"
means that it should not be just a twenty-four hour, or even a seven-
day affair. It must go on from birth to death. Bhajan (devotional
song) has to start in childhood and continue onward. It must be
constant companion of man, his solace and strength. Do not postpone
it until old age, for it is the essential food for the mind." Sai
Baba, SSS, Vol. 1, 125
"This day (4 December r976), you have resolved to imbibe Divine Bliss
by reciting the glory of God in chorus and with music, continuously
for twenty-four hours. You call it Akhanda Bhajan, even though it
will end after that period. Still the idea is good and programme will
yield good results." Sai Baba. SSS, Vol. X. p. 79
"This has been named an Akhanda Bhajan, that is to say, Bhajan done
without a break. But was it really an Akhanda Bhajan? It is begun at
6:30 on the evening of one day, and is closed at 6:30 on the evening
of the next day. Can we call it 'unbroken Bhajan'? What is a period
of 24 hours when we consider the vastness of the universe and the
eternity of time? It is just a wink, a minute part of the life of man
on earth. By engaging yourselves in the recitation of the Name of God
for one single day, you claim to have done Bhajan 'without a break'.
Akhanda Bhajan must be as continuous as breathing itself if it is to
deserve its name." Sai Baba. SSS. Vol. X. p. 67
Meaning Of Global Akhanda Bhajan
"The Akhanda Bhajan that is observed by Sai devotees all over the
world for full twenty-four hours in November is an annual event of
global significance. Starting from 6:00 p.m. on Saturday, the Akhanda
Bhajan concludes at 6:00 p.m. on Sunday. The Bhajans (spiritual
songs) start with the lighting of the Akhanda Jyoti (the sacred lamp)
that is kept continuously burning for 24 hours." V.K.N, SS. 12/87, p.
341
Special Significance Of Global Akhanda Bhajan
"This programme of Akhanda-Bhajan continuously done for 24 hours all
round the world in all lands, has therefore spread the message of
love through the Names of the Embodiment of Universal Love. It has
saturated the atmosphere with thoughts of God and peace and joy that
He showers. The Bhajans that you have done here (Prasanthi Nilayam)
has affected not only this particular area and its environment, but
it will transmute the entire atmosphere. Continue this attitude of
devotion and humanity, of service and tolerance, the atmosphere will
not be polluted by hatred." Sai Babu, SSS. Vol. X, p. 75
"What is significant about the global Akhanda Bhajan is that while
apparently the duration of the Bhajan is identical, the time sequence
varies from country to country. For instance, when Bhagavan lit the
Akhanda Jyoti in the Prasanthi Mandir at precisely 6:00 p.m. on
November 14, 1987, the Akhanda Bhajans had been going on for many
hours in countries east of India from Japan to Singapore. This means
that as the earth revolves, lamps are lit at different Sai centres
according to the local time, and by the time the westernmost centre
in Vancouver lights the Akhanda Jyoti, (Sai) centres in the east
would have completed the Akhanda Bhajan. Before the Bhajans are
completed all round the world, there would be a girdle of Akhanda
Jyotis lit around the globe in Sai centres as far as Fiji in
the '"east" and Hawaii in the "west" V.K.N. SS. 12/87, p. 341
Purpose Of The Global Akhanda Bhajan
'Today we are having Akhanda Bhajans (non-stop twenty-four hour
global Bhajans by Sai devotees all over the world. This is being done
not for the sake of one individual, one nation, or one community. It
is for the welfare of humanity as a whole. The Bhajans that are sung
permeate the ether in the form of sound waves and fill the entire
atmosphere, thereby, the whole environment gets purified." Sai Baba,
SS, 11/86. p. 280
"Today the atmosphere is polluted by unholy and vicious sounds. This
results in the growth of evil thoughts and feelings, which lead to
evil deeds. If the atmosphere has to be'purified. it has to be filled
with pure and sacred sounds." Sai Baba, SS, 11/86, p. 281
"Singing with intense yearning for God and enjoying the experience of
adoring Him. helps to purify the atmosphere. Man is forced to breathe
the air polluted by sounds that denote violence, hatred, cruelty and
wickedness. Therefore, he is fast losing the high attainments that
are in store for him. The vibrations of the Namasankirtans can
cleanse the atmosphere and render it pure, calm and ennobling. It is
with this high purpose in view that this programme of global
Sankirtan was designed." Sai Baba, SSS. Vol. X, p. 67
"No man can escape the influence of the pollution of the air he
breathes. The sounds that we produce, with good intent or bad, spread
throughout the air around us. This is our daily experience. The
sounds produced by radio stations pass through the atmosphere and
reach our homes when we tune in. The vibrations travel vast distances
and affect the nature of those who inhale them. The atmosphere also
affects the food man consumes. The pollution in the atmosphere is
imbibed by the plants. The plants supply grain, the grain is the
basis of the meal and the meal shapes the character and behaviour of
the person who consumes it. When the environment is clean and free
from evil vibrations, the food. too, is pure. and the person develops
a tendency to be loving and simple. It is to ensure such an
atmosphere, this Sadhana (of Akhanda Bhajan) was initiated all over
the world." Sai Baba, SSS. Vol. X, pp. 67 & 68
"The air, even of these villages, is polluted by vulgar film songs,
by demeaning and disgusting conversation. The 24-hour long Bhajan
will purify it by divine vibrations, and those who breathe. The pure
air will be healthier and more upright in behaviour." Sai Baba. SSS,
Vol. X, p. 81
"Bhajans have a place of pride in Bhagavan Baba's scheme of spiritual
Sadhana. Devotional singing in groups serves not only to concentrate
the minds of the devotees on the Divine but promotes also a sense of
spiritual unity and harmony among devotees." V.K.N.. SS, 12/87. p.
341
"The prayer to the Lord to light the lamp of wisdom and love in the
heart of every devotee, when it goes up from millions of devotees all
over the world, must have an ennobling and unifying effect which
cannot be produced by any other means." V.K.N. SS, 12/87, p. 341
"The Akhanda Bhajan should make devotees feel their unity with the
Divine and, at the emotional level, and fill them with love for
entire mankind. Bhagavan Baba's supreme role in His present advent is
to unify humanity by promoting recognition of the inherent divinity
present in everyone, transcending all divisions of creed, caste,
language, nationality and sex. The Akhanda Bhajan is like a beacon
and trumpet-call to humanity to jettison ths pretty divisions of the
past and rise to the heights of its divine destiny." V.K.N.. SS,
12/87, p. 341
Meaning Of Bhajan
"The word "Bhajan" has been derived from the Sanskrit root "Bhaj"
which means to render service. Bhajan singing is indeed a mode of
providing service for the audience to purify their head and heart."
Sai Baba
Meaning Of Kirtana
"Kirtana is the word used for the recital or singing of the Name and
the Glory of God." Sai Baba, SSS, Vol. VI, p. 217
"Kirtana is singing aloud the Glory of God." Sai Baba, SSS. Vol. X,
p. 67
"Keertanam (Kirtanam) is an individual affair. It is singing by an
individual for the fulfillment of his prayers." Sai Bubu. SS, 4/92,
p. 67
Meaning Of Sankirtana/Sankeertanam
"Samyak-K-eertanam Sankeertanam (Congregational singing of Bhajans)
is the best form of Bhajans. Sankeertanam aims at the well-being of
the whole universe. This is also described as "'Saamaajika Bhajans
(community singing). This method of singing Bhajans was first
initiated by Guru Nanak. the founder ot'Sikhism. 'Sankeertana' aims
at demonstrating unity in diversity. When all the participants
combine to sing in unison with one voice, it is described
as "Sankeertana." Sai Baba, SS. 4/92, pp. 67 & 68
"San-kirtana means reciting or singing well, or aloud with joy in
ecstasy." Sai Baba, SSS. Vol. VI. p. 217
"Combining one's voice, tune, feeling and rhythm to the appropriate
beat of the song, the devotee should immerse himself in singing.
Harmonizing the feeling with devotion and love, the sacred words of
the song should be an outpouring of love towards God. That alone is
devotional singing (Sankirtana)." Sai Baba. SS, 4/92, p. 69
"Sankirtana is the process of singing that originates in the heart,
nor from the tongue. It is the _expression of the joyous thrill that
wells up from the heart when the Glory of God is remembered. It is
the spontaneous manifestation of the inner ecstasy. No attention is
paid to blame or praise that others may give. It does not seek the
admiration or the appreciation of the listeners. It is sung for one's
own joy, one's own satisfaction, and one's own delight. Kirtana of
this supreme type alone deserves the name Sankirtana" Sai Baba, SSS,
Vol. X, p. 67
Purpose
"What is the essence of Sankirtana? Its essential purpose is to earn
the love of God." Sai Baba, SS. 4/92. p. 69
Different Forms Of San-Kirtana
The name of the Lord has been glorified in different ways all over
the world. Jayadeva was one who enjoyed always the sports (Leelas) of
the Divine." Sal Baba. SS. 4/98. p. 68
"Hanuman was proficient in music. There was none that could excel him
in singing. Even Narada Tumbura could not prevail against him." Sai
Baba. SS. 4/98. p. 69
"We can distinguish four different forms of Naama-sankirtana: (a)
Bhaava-naama-San-kirtana. (b) Guna-Naama-Sankirtana, (c) Leela-Naama-
San-kirtana, and (d) sheer Naama-Sankirtana." Sai Baba. SSS. Vol. VI.
p. 219
a. Bhaava-Naama-Sam-Kirtana:
"Bhaava Sankeertana is illustrated by Radha alone who expresses her
different feelings towards God and identifies herself with the Divine
in every mood of devotion. She expressed her devotion in five forms
of Shanta (Serenity), Sakhya (friendliness, Vaatsalya (maternal
love), Anuraag (affection), Madhura (sweetness). Radha and Mira were
the exponents of' Bhaava-Sankeertana." Sai Baba, SS, 4/92, p. 68
"Bhaava-Naama San-kirtana is the name given to recitals where (God's)
Name is sung with one emotion, or mental attitude (Bhaava) toward the
Lord.(l) It can be Madhura-Bhaava (sweet emotion) as Radha was
overpowered only by that sweetness at all times and places. Her
adoration of God is the supreme example of Madhura-Bhaava. (2) Then
we have Vaatsalya-bhaava-sankirtana. Yashoda, the foster mother of
Krishna, can be taken as the ideal for this type of Bhaava (emotion).
Though she had a series of experiences of Krishna being Divine, she
preferred to save him as mother and adore him as her son. (3) Then
there is Saakhya-Bhaava- Sankirtana (comrade feeling), as found in
Arjuna who believed in Krishna as his intimate friend and brother-in-
law (for he married Krishna's sister), and confided in him as a
comrade. That too is an attitude that will attach you to divinity and
sublimate the tower impulses. (4) Daasya-Bhaava- (servant-master
attitude) Sankirtana is another type. Serve the Lord as His faithful
unquestioning servant. This is the path of Hanumana in the Ramayana.
(5) The last attitude is Sat-Bhaava-(unruffled, unconcerned) Naama-
Sam-kirtana, praising the Lord, whatever may happen, undeviated by
ups and downs, bearing all vagaries of fortune as His play. In the
Mahabharata, you will find Bhishma saturated with this attitude. He
adored Krishna even when Krishna was advancing towards him to kill
him." Sai Baba. SSS. Vol. VI. p. 219
"Bhava means 'attitude' (of mind). So, Bhava-Sankirtan means the
adoration, in song, of God pictured and contacted under various
relationships. Some may prefer to adore Him as the giver of
equanimity (Santam), others as a friend, guide and guardian (Sakhya).
still others as the child one loves and tends (Vatsalya) and yet
others as the Lover whom one loves with sovereign love (Madhura)."
Sai Baba, SSS. Vol. X, p. 68
b. Leela-Naama-Sam-Kirtana:
"Another method of Naama-Sam-kirtana is to remind oneself of the
various exploits and sports, the various acts of grace and
compassion, which the Lord has manifested in the world, while
reciting His Name. This is called Leela-Naama-Sam-Kirtana. Chaitanya
and Thyagraj realised the Lord through this path." Stii Bubu, SSS.
Vol. VI, p. 219
"This is (also) exemplified by the 'Gita Govindam' of
Jayadeva. "Sai Babti. SS, 4/92, p. 68
"Leela means 'sport', therefore Leela-San-kirtana is the adoration,
in song, of the various expressions of these attributes as evidenced
by the accounts of sages and seers of all faiths." Sai Baba, SSS.
Vol. X. p. 68
c. Guna-Naama-San-Kirtana:
''Many recollect more of the majesty, the glory, the might, the
mystery, the magnificence, the munificence, the love with which God
has clothed Himself, while reciting His Name. This attitude is spoken
of as Guna (attributes, characteristics) Nama-San-kirtana. Most of
the saints gradually honoured in many lands are of this category."
Sai Baba, SSS. Vol. VI, p. 219
"Guna means 'attributes' (of God) So, Guna-Naama-Sankirtana is the
adoration, in song, of manifold attributes of God - omnipresence,
omniscience, compassion, majesty, etc." Sai Baba, SSS, Vol. X, p. 68
"Guana-Sankeertana applies to the kind of Bhajan in which the devotee
recites the auspicious qualities of the Divine, experiences oneness
with the Divine, and acquires the godly qualities. Thyagaraja had
recourse to this type of singing. In one of his keertanas, he
exclaimed: " Oh Lord! You are beyond all words. Is it possible for
even Brahma or other gods to extol your glorious exploits? I am
waiting for your grace. Hearken to my entreaties. You restored life
to the preceptor's son whom the Lord of Death had taken. away. You
conquered the God of Love. You liberated from prison Vasudeva and
Devaki. You protected Draupadi when appealed in despair. You were the
guardian ofPandavas. You relieved Kuchela of his poverty. You saved
16,000 damsels from subjection." In this manner, Thyagaraja recounted
the great qualities of God in his songs." Sai Baba, SS. 2/92. p. 68
d. Naama-Sam-Kirtana:
"Another category is denoted by seekers who attach value to the
syllables and sound of the Name (of God) irrespective of the meaning
thereof. When the Name is pronounced, they say, it draws the aspirant
toward God and His grace, whatever may be the Bhaava (emotion),
whether the Leela (sports) or Guna (attributes) is associated with
the Sam-Kirtana or not. The Name (of God) has a strength, a power, a
capacity to redeem, cure and save, alone and unaided, they aver." Sai
Baba, SSS. Vol. VI. p. 219
"Nama means the 'Name of God'. So, Nama-Sankirtan means the adoration
of God, calling upon Him by various Names, each describing His glory.
His achievements, His relationship with the individual. The Names are
many. or even countless. It is so in all languages. We have many
groups of thousand and eight Names, which can be used for God, as the
Vedas declare, has a 'thousand heads', a thousand eyes. and a
thousand feet. Devotees can adore Him and derive bliss through that
adoration, filling each Name with the meaning and significance it
carries." Sai Baba. SSS. Vol. X. pp. 68 & 69
"Chaitanya was the exponent of this form of Kirtana. "All Names are
yours. There is nothing in this cosmos which does not bear the
imprint of your Name or Form,' Chaitanya revelled in singing the
Names of the Lord as signifying all that was beautiful and glorious
in the universe." Sai Baba. SS, 4/98, p. 68
Congretational Bhajan Singing
Founder Of Community Bhajan Singing
This method of singing Bhajans was first initiated by Guru Nanak, the
founder of Sikhism." Sai Baba, SS. 4/92, p. 67
Importance
"Community singing sets up vibrations which will cleanse the
atmosphere." Sai Baba, SS, 2/98. p. 33
"When all the devotees participate in the Bhajan, the vibrations that
are produced will generate joy and harmony." Sai Baba. SS. 11/86. p.
280
"Bhajans that arc sung permeate the entire ether in the form of sound
waves and fill the entire atmosphere; thereby the whole environment
gets purified. By breathing in this purified atmosphere, our hearts
get purified." Sai Baba
"Bhajan has been part of our (Indian) culture, part of the Sanatana
Dharma tradition. But it has survived, however, in an attenuated
form, in the villages only. It has disappeared from the towns, where
people have more 'exciting' ways of spending time and recuperating
their spirits. But this programme of congregational Bhajan by all,
must be fostered, developed and transplanted in the towns later. I am
glad to note that the young men of this (Seegehalli) village and of
the adjacent villages, especially those who are attending the Sri Sai
College, are evincing keen interest in these Bhajans. That is indeed
a promising sign fraught with great potential for the future of this
country. They are cleansing their own minds and helping to cleanse
the atmosphere of these villages." Sai Baba, SSS, Vol. X, p. 81
Seegehalli, 4-12-76)
Rules For Conducting Community Bhajans
"When the chanting of the (Divine) Name is done in community singing,
it should be done in a form in which the entire group can participate
easily.
The tune, the rhythm, etc. should be such that all can follow the
Bhajan. If the lead singer takes up a song that is not familiar to
others, the response from the group will be poor. There will be no
enthusiasm or genuine participation. Their minds will be distracted."
Sai Baba. SS. 11/86. p. 280
"Reciting the Lord's name is a process of 'give and take'. Singing
the Lord's name should become an exercise in mutual sharing of joy
and holiness. Sai Baba, SS. 11/86. p. 281
"Community Bhajans should not be treated as a pastime. When thousands
of persons join in singing Bhajans, they should be fully absorbed in
the devotional process and the ecstasy of that experience." Sai Baba.
SS. 11/86. p. 281
"The singing should be vibrant arid soulful and not mechanical or
drawling and uninspiring. It should combine feeling (Bhavava), melody
(Raaga) and rhythm (Taala) Sai Baba, SS. 11/86, p. 281
"Songs should glorify the Name rather than describe the attributes.
When attributes are praised, some may develop doubts." Sai Baba. SS,
11/86, p. 281
General Guidelines For Conducting Bhajans
"In the Sadhana (spiritual practice) of Nama Smarana (remembering
God's Name), which I prescribe, two other complementary processes are
included along the recollection of the Name and the fixation of the
mind on the Name: (i) there must be purity of feeling, (ii) and
dwelling on the meaning of the Name. That will ensure success." Sai
Baba. SSS. Vol. VI. 177.
"When the Puja (worship) with 108 or 1008 names is progressing, do
not be satisfied when the sound falls on the ear. Try to grasp the
meaning too, so that you can ruminate over the glory which each name
denotes." Sai Baba, SSS, Vol. VII, p. 287
"Many people do Japa (reciting God's name) and join Bhajans, but they
are not aware of the meaning and value of the words they utter
mechanically." Sai Baba, SSS. Vol. IX, p. 167
"Take the Name of the Lord and repeat it always. Do Bhajans with
faith and enthusiasm. Let the whole city shake with devotion you put
into the Name." Sai Baba. SSS. Vol. 1, p. 132
"When you sing Bhajan songs, dwell also on the meaning of the songs
and the message of each Name and Form of God. Do not waste time
purposelessly; let every moment be a Bhajan." Sai Baba, SSS, Vol. V,
p. 331
"Discipline has to be observed in speech, sport and every kind of
relationship. For instance, during Bhajans, all those singing in
chorus have to maintain the same tune. Discordant singing will jar
the ears. Singing Bhajans in unison is a form of discipline." Sai
Baba. SS. 7/96. p. 174
"When the Name is repeated without concentration and without
reverence, it cannot cleanse the mind. Now the Name is on the tongue,
the word is in the mind and the owner of the Name is in the heart."
Sai Baba, SSS. VI, p. 165
"Bhajans must be sung from the heart and just should not emanate from
the lips." Sai Baba. SSS. Vol. X. p. 140
"Bhajan must be a felt experience. Let your heart pant for God, then
Raaga (tune) and Taala (rhythm) will automatically be pleasant and
correct. Sincerity will blot out all errors in Raaga and Taala." Sai
Baba. SSS. Vol. VIII. p. 57
"The Bhajans, this time, were done in a ritualistic fashion. Greater
attention was paid to Raaga, Taala, Laya and Shruti (the melody, the
beat, the rhythm and the tone). All these are conventional qualities
(Vyaavaahaarika). To elevate the Bhajans to a spiritual level what
are required are true feeling and the ecstasy of devotion. The
(devotional) songs should flow not from the lips but from the heart.
When the songs come out of the heart they will be blissful for the
ears.'^ Sai Baba. SS, 4/97, p. 94
"Let melody and harmony surge up from your hearts and let all take
delight in the love that you express through that (devotional) song."
Sai Baba, SSS. Vol. X. p. 75
"The words of a song can be expressed in a prosaic manner which has
no appeal to the listener. But when they are sung melodiously, they
tug at the heartstrings. (As in the song "Rama! Nannu Kaapaadu"-
"Rama!" save me. Swami sang the song to demonstrate its appeal.)
Such sweetness is contained in the song when it is rendered
melodiously." Sai Baba, SS, 4/92, p. 70
"Conduct your Bhajans with a pure unsullied heart, oblivious to all
worldly desires. When you chant the Lord's Name with a pure heart,
you will experience the Divine." Sai Baba, SS. 4/97. p. 94
Crores (millions of rupees) are being spent to purify the Ganges
water. Of what use is this exercise if the Ganges continues to be
polluted by the discharge of drainage water into the river? First
prevent the flow of filthy effluents into the Ganges. In the same
manner, the evil thoughts arising in the mind should be diverted and
it should be filled with pure godly thoughts by reciting the Divine
Name. Everyone participating in Bhajans should sing the Name of the
Lord and thereby serve to purify the atmosphere and promote the well-
being of the nation." Sai Baba. SS. 4/92. p. 71
"Bhajans have to be sung to please the Lord, not your fans. With each
Bhajan sung, the mind must be rendered purer, freer from passion, and
stronger in faith." Sai Baba. SS. 12/74. p. 297 & SSS. Vol. IX, p.
162
"You should sing whole-heartedly with the desire to please God. God
makes no distinction between a proficient musician and a beggar in
the street. It is the devotion and sincerity that matters. Merge your
soul in the Bhajans you sing. Spiritualize your Bhajan-singing. Then
you will experience real bliss." "Once Emperor Akbar asked his court
musician how he would account for the fact that a wayside beggar's
music moved him more profoundly than the music of the state musician?
The latter replied that while the beggar sang from his heart to
please God, his music constrained by the desire to please the
Emperor." Sai Baba. SS, 4/97, p. 96
"The hands should be lifted in prayer and the words should come out
full-throated. It is unfortunate that even those who are gifted with
good voices do not sing aloud in Bhajans." Sai Baba. SS. 8/96. p.
206
"Bhajans have to be sung and offered to God in an attitude of utter
humility. They are not to be taken as exercises in an exhibition of
talent and competitions for mastery of musical skill." Sai Baba. SS,
12/74, p. 297 & SSS, Vol. IX. p. 162
"When a man falls into a well, of what use is it if he controls his
voice and his emotions and whispers quietly, 'I have fallen into this
well, I have fallen into this well. I am in a great danger. Please
save me.' No one will be able to hear or save him. He must shout full-
throated, with all anguish he is experiencing and with extreme desire
to be saved, "I HAVE FALLEN INTO THE WELL! SAVE ME! SAVE ME SOMEONE!"
Then only can he hope to get succour. Similarly, when you are caught
in the coils of this world, when you have fallen into this deep well
of worldly misery, shout with all your might, with all your heart
that God may save you. There is no use of muttering faintly and half-
heartedly. 'Save me; I am floundering in this Samsar.' When the
prayer comes shrieking through the heart, help is assured." Sai Baba,
SSS. Vol. X. p. 68
"Some persons attending Bhajans do not move their lips at all. They
may say that they are singing the songs mentally within themselves.
This is not proper. If you have a devotional feeling, it should be
expressed by the tongue joining in the Bhajan. Only then it can be
called "Sankirtana"- singing in unison with others. You must sing the
Names aloud, full-throated, as far as the voice can reach. Only then
the Divine will respond in full measure and shower His grace. No one
will go to the rescue of a drowning man if his cries are feeble. Only
when he cries aloud at the top of his voice, the cries will be heard
and people will rush to save him." Sai Baba, SS. 4/92. p. 70
"Attitudes of difference and distinction should not enter the hearts
of devotees so far this sacred Sadhana is concerned. It would be far
better for all parties if such self-important and conceited folk stay
away from Bhajans rather than pollute the sacred atmosphere by spirit
of rivalry and factionalism." Sai Baba, SS, 12/74. p. 297 & SSS, Vol.
IX, p. 162
"Bhajans where you quarrel and compete, and revel in putting down
others and raising yourselves, might give you satisfaction. But, let
me announce here, they do not please Me at all." Sai Baba, SS. 12/74.
p. 297 & SSS. Vol. IX. p. 163
"In singing Bhajans, there should be no spirit of competition and no
caviling of others. The entire concentration should be on the Name
and Form of God." Sai Baba. SS, 3/96, p. 61
"Remember! All are the sons and daughters of Sai Maataa (Mother). How
can I tolerate when the sons and daughters quarrel among themselves
into rival groups? Unless you sing Bhajans for your own joy, you
cannot bring joy to others." Sai Baba, SS. 12/74. p. 297 & SSS. Vol.
DC. p. 163
"During Bhajans the women are engaged in mutual recrimination. They
quarrel over seats. Can't they experience Bhagavan wherever they
are?" Sai Baba, SS. 7/96, p. 184.
"The office-bearers in the units of our (Sai) Organization should be
ever vigilant, that this poison does not creep into the working of
the units, either in Bhajans, or in the activities ofMahila Vibhag
(women wing),-or Seva Dal (human service wine of volunteers)." Sai
Baba, SS, 12/74. p. 297 & SSS. Vol. IX. p. 163
"I am pleased only when love is the keynote, when the feeling of
unity prevails, when the melody comes from a cleansed God-loving
heart." Sai Baba. SS, 12/74. p. 297 & SSS. Vol. IX. p. 163
"I do not need Bhajans which like gramophone records reproduce songs
and Naamaavalis, without any feeling or yearning while singing. Hours
of shouting do not count, a moment of concentrated prayer from the
heart is enough, to melt and move God." Sai Baba. SSS. Vol. IV, p.
149
"Some people affirm that the Bhajans used at the Prasanthi Nilayam
alone should be sung. But God is omnipresent. He is the in-dweller in
every heart. All Names are His. So you can call on Him by any Name
that gives you joy." Sai Baba, SSS, Vol. VI, p. 238
"This (Sai) Organization believes that the Atma (soul) in each is the
Atma in all, and the God that each worships is the God that all
worship. You cannot insist that in the Bhajans, only songs on Sathya
Sai should be sung. Fanaticism of that kind I very much dislike and
condemn. For. all Names and all Forms denote Me only. You betray your
ignorance of My Truth when you stick to anyone of My Names and avoid
the rest." Sai Baba. SSS. Vol. VIII, p. 71
"Do not care for what others feel about your Dhyana or Bhajan. Do not
seek the approval, appreciation, admiration of others, or refrain
from Dhyana because others dislike it or ridicule it. Be self-
reliant, self-confident, see through your own eyes, hear through your
own ears." Sai Baba, SSS, Vol. X. p. 73
"I have been observing how the Bhajans are sung. When the girls sing,
the boys do not follow in chorus. When the boys sing, the girls do
not respond. When both are singing the Divine Name, why should not
they sing in unison? What is the reason for this narrow separatism?
This should be given up." Sai Baba. SS. 4/97. p. 96
"When you sing Bhajans, take care that words you utter do not convey
negative meanings. Here is an example. Our boys (students) sing many
Hindi Bhajans, in which they often use the word 'Thu'. They sing 'Thu
Rama', 'Thu Krishna', 'Thu Sai' which does not convey the respectful
way of addressing the Lord. The Bhajans you sing must convey sacred
meanings. You should not use any disrespectful words in Bhajans." Sai
Baba. SS, 4/2001. p. 114
"There should not be any wrong word in Bhajans. If you sing in this
way, every word that you utter would have sanctity." Sai Baba, SS,
4/2001, p. 115
"When the Bhajans end, you should go out in silence. When you get
back to your apartments, you may discuss your private affairs. But as
a rule, observe restraint in speech everywhere. It helps to conserve
energy. Excessive talk affects the nerves. You are liable to forget
what you have heard." Sai Baba, SS, 8/96, p. 211
"At the end of a Bhajan, we say 'Shanti' three times. This prayer is
for peace of the body, the mind and the spirit. Without this trine
peace, man cannot have real peace." Sai Baba, SS, 11/97, p. 289
Sing Bhajans With Full Concentration - An Episode
"Today there is no steadiness of mind in man. Some people think of
their footwear when they sit for Bhajans inside. Once Ramakrishna
Paramahansa was giving a discourse in a temple. Rani Rasamani, the
owner of the temple, was sitting in the front row. All were listening
to Ramakrishna's discourse with rapt attention. All of a sudden,
Ramakrishna got up, went to Rani Rasamani and slapped on her cheek.
Everyone was surprised. They thought that Ramakrishna had become mad.
Ramakrishna told the public, '0 people, you may think it is a great
mistake on my part to have slapped her. What for you come? You are
here to listen to my teachings. Whether you practise or not, at least
you should listen to what is being said. If you do not like to listen
to the discourse, you better stay back at home. This Rani Rasamani is
thinking of her legal disputes. Why should she come all the way to
think of the court affairs?' She accepted her mistake and promised
not to repeat it. In modern age, many people attend spiritual
discourses and get impressed by them. But they do not put them into
practice." Sai Baba, SS. 2/99. p. 48
Music With Bhajans
"Bhaava (feeling), Raaga (melody) and Taala (rhythm) are the
essentials for proper singing. Even the name of Bharat (for India)
signifies th? combination of these three elements. (Bh-Ra-Ta). In
every action in daily life, the combination of these three elements
should be observed. This rule can be applied even to one's
studies. "Bhaava", in relation to study of a subject, means
understanding the subject thoroughly. "Raaga" implies cultivating
love for the subject and "Taala" means expressing one's knowledge
coherently and clearly." Sai Baba. SS, 4/892, p. 69
"Its essential purpose is to earn the love of God. Combining one's
voice, tune, feeling and the rhythm to appropriate beat of the song,
the devotee should immerse himself in the singing. Harmonizing the
feeling with devotion and love, the sacred words of song -should be
an outpouring of love towards Gcd. That alone is devotional s'rging.
When the song is rendered without understanding the meanings of the
words and without any inner feeling or genuine love for God, it is
mechanical performance." Sai Baba. SS, 4/92. p. 69
"Bhajans do not become effective through drums, cymbals, violins and
other accessories. They cover up essential things- feelings,
emotions, yearning, sincerity and faith." Sai Baba. SSS. Vol. IV. p.
148
"Musical instruments used during Bhajans should not drown the voice
of the singer and those who follow. If there is mor»than one
instrument used, maintain a balance among instruments along with
singing." Sai Baba
"While singing Bhajans, you should utter the Names (of God) from the
depth of the heart, not concentrating on Raaga (tune) and Taala
(rhythm)." Sai Baba, SS, 6/94, p. 150
"Realise that what matters when they (singers) sing Bhajans is not
the tune or the conduct of Bhajans, but the genuineness of the
feeling with which they sing Bhajans. When their hearts are pure and
full of deep devotion, the Bhajans will be full of feeling and will
appeal to the hearts of the listeners. What ensures from the heart
is 'positive', while what comes from the mind is often negative" Sai
Baba. SS, 4/98. p. 92
Attributes To Be Attained By Bhajan Singers
"When you do Bhajans and sing the Name of God, you should contemplate
on underlying truth. The Naamaavali, 'Hare Rama, Hare Rama, Rama Rama
Hare Hare; Hare Krishna. Hare Krishna, Krishana Krishna Hare Hare'
has sixteen words. Each of the sixteen signifies a virtue, which has
to be cultivated along with that Bhajan. (i) He must be a Bhakta
(full of devotion), (ii) a Tapo-yukta (prepared to enjoy sufferings),
(iii) a Samsara-mukta (detached from worldly attractions), (iv) a
Padaasakta (eager to serve the Lord), (v) a Vihitha (correct
conduct), (vi) a Daana-sahita (charitable), (vii) a Yashomahita (with
unsullied reputation), (vni) a Kalmasha-rahita (unblemished), (ix) a
Poorna (fully content), (x) a Guna-Gana (endowed with all virtues),
(xi) an Utteerna (equipped with all virtues), (xii) a Vidya-vikeerna
(equipped with all fruits of learning), (xiii) a Jnana-visteerna
(ripe in wisdom), (xiv) a Swaantha (self-controlled), (xv) a Sadguna-
Kranta (adorned with social traits), (xv) a Vinaya Vishranta (moved
by humility), and finally (xvi) a Pada-swantha (fully dedicated to
God)." Sai Baba, SSS. Vol. 1, pp. 164 & 165
Location And Time For Conducting Bhajan Sessions
"The Bhajan Mahdalis (groups), Satsahgs (spiritual meetings) and
Bhakta Mandalis (devotional groups), are now established, must spread
the message of Naama-smarana (remembering God's name), Bhajan and
Naama-sam-kirtana at all times and in all places." Sai Baba, SSS.
Vol. VI, p. 42
"Have Bhajans on as many days as you can, in your village or area.
Have them in places where all can come and join, not in the homes of
some people, for in homes not all may be welcome." Sai Baba, SSS.
Vol. VI, pp. 237
"Bhajans are best held on Thursday evenings and Sunday evenings. But
there is no unbreakable rule. for it is not the day of the week that
counts. It is the heart that must be ready and eager to imbibe the
joy and share it." Sai Baba, SSS. Vol. VI. p. 238"Group Bhajans must
be arranged to suit the convenience of the locality and the people."
Sai Baba. SSS, Vol. VI. p. 238
Expenses For Holding Bhajans
"Have Bhajans as simple as you can, without any competitive pomp and
show. Reduce expenses to the minimum, for God cares for the inner
yearnings, and not the outer trappings. Even this small unavoidable
expenditure must be silently shared spontaneously by a few members of
the committee, and not collected by means of a (donation) plate or
Hundi pot. or a subscription or a donation list. The participants
must be bound by love, affection, loyalty, one Name and Form." Sai
Baba, SSS, Vol. VI. p. 237
The Magic Of Bhajans
"Remembering the Name is the panacea. When the Name is chanted as a
song set to music, it delights the heart immensely. Many pundits
recite the Names as verse (shalokas). They do no experience the
intense yearning expressed in the stanzas. Some actors are able to
pronounce the words loud and clear, but without any depth of feeling.
But when the Names are sung melodiously they appeal to the hearts of
the singers and the listeners. Even non-believers and agnostics nod
their hearts in appreciation when they listen to devotional music.
The words of a song can be expressed in a prosaic manner, which has
no appeal to the listener. But when they are sung melodiously, they
tug at the heartstrings. Everyone, whether he is well-versed in music
or not, should listen attentively to the singer and try to repeat the
words of the song with feelings." Sai Baba, SS. 4/92, p. 70
"Do Bhajans and have the Name of the Lord on your lips. Do not waste
even a single moment. By chanting the name of Rama, Hanuman, the
monkey, became all-powenul, the embodiment of peace and the exemplar
of all noble qualities. Sita was full of praise for him." Sai Baba,
SS, 12/87. p. 324
"Kamadhenu, the wish-fulfilling heavenly cow, can be drawn and tied
to a post by means of a rope. God too. can be drawn towards you by
the rope (God's Name), and tied to the post (the tongue). Then His
Name will be dancing upon the tongue forever, conferring the
sv/eetness of His Majesty. The Name (of God) has to be sung for your
own delight, to quench your own thirst, to appease your own hunger.
No one eats to appease another's hunger, nor takes drugs to alleviate
another's illness. So do not care for what others feel about your
Dhyana or Bhajan." Sai Baba, SSS, Vol. X, p. 73
Bhajan Should Be A Continuous Process
'Do not think that it is enough if you just sing Bhajans when the
people from the (Sai) Seva Samiti come and join you. Sing them in
your minds, silently and sincerely, when you are at work, with your
friends or even alone by yourself. Just as a torch in your hand shows
you the way if you are walking at night in the dark, the Name of God
on your tongue will guide you through the night of ignorance in your
joumey of life." Sai Baba, SSS. Vol. X, p. 154
Origin Of Akhanda-Bhajan
"Embodiment of the Pure Atman! Last November (of 1975), on the 23rd,
people from all parts of the world had assembled here to celebrate
the Golden Jubilee, and the office-bearers of the (Sai) Centres were
here for the Second World Conference and other functions that took
place. Later, they expressed their desire that they should be
allotted a date before the close of the Jubilee Year, when they in
their own places could celebrate the happy occasion. In order to
overcome their disappointment, it was decided that in all (Sai)
Centres all over the world, Bhajan (Namasamkirtan) be held for twenty-
four hours, beginning at 6:30 p.m. on Saturday (yesterday, 13
November 1976), and ending at 6:30 p.m. today (14 November J 976).
Therefore, in 42 countries around the globe more than 7000 centres
have enthusiastically taken up this pleasant assignment. This has
been named an Akhanda Bhajan, that is to say, Bhajan done without a
break" Sai Baba. SSS. Vol. X. p. 66
"Srimati Sundaramma is one of the old devotees who has known Sri
Sathya Sai Baba since he was a boy of sixteen. Her father, Seshagiri
Rao, came to Sri Sathya Sai Baba after her. Sundaramma continued the
weekly Bhajan singing with great dedication and without interruption
for an entire year. Her father, Seshagiri Rao, thought that they
should celebrate the completion of the year of Bhajan-singing in a
suitable style. Each member of the family thought of different ways
to celebrate the anniversary in a befitting manner, but Seshagiri
Rao's idea that was adopted: Akhanda Bhajan (unbroken Bhajans) for
the one whole day and one whole night. The decision having been
taken, they got down to planning the performance at their house -
which songs to sing, what Prasadam to distribute and pooling of
resources to obtain the ingredients of Prasadam. This was
particularly tricky as, in those days. there was rationing of rice
and the system had to be worked out fairly in cash and in kind.
After making all the preliminary arrangements, father and daughter
went to Puttaparthi to announce their attention to Sri Sathya Sai
Baba. He was very happy to hear their plans and responded
startlingly, "I have come only for this reason, for the sake of my
devotees. Go ahead with the Akhanda Bhajans. I will go there and be
with you throughout the singing."
Sundaramma explained that, up to that moment, they had planned only a
very simple celebration. But, if Sri Sathya Sai Baba was himself
going to attend, then, she felt that she ought to make more elaborate
arrangements. Then Sri Sathya Sai Baba said he would take charge of
all the arrangements. He asked her to book a place in town and to
have the Akhanda Bhajans sung there so that all those who wanted to
attend could do so more conveniently. He also advised her to ask
other devotees to assist in the event.
Sundaramma was in a quandary at this unexpected turn of events. To
cope with an occasion, such as it was turning out to be, was a
gigantic task in those days when even transportation was very
difficult. She calculated that about a hundred regular devotees might
turn up for the first Akhanda Bhajan and so she had Prasadam prepared
for that number. However, hundreds of devotees turned up on that day.
They had learned of the event by word of mouth and in dreams and
visions of Sri Sathya Sai Baba. Sundaramma became anxious about how
she would provide enough Prasadam to all.
Puja to Shirdi Sai Baba's and Sri Sathya Sai Baba's images was
performed under a gaily bedecked floral canopy. Sri Sathya Sai Baba
materialized a silver figurine of Sri Shirdi Sai Baba to keep beside
a large bust of Sri Shirdi Sai Baba, especially made for the
occasion. Then, with circular movements of hand, he produced 108
golden flowers for the Puja. After Archana (offering with Mantras) of
rare flowers, Seshagiri Rao performed Paadapuja (worship of the feet)
to Sri Sathya Sai Baba who lighted the Akhanda Jyoti (ever-lasting
flame) at the Bhajan meeting.
Sundaramma then requested Sri Sathya Sai Baba to come into the
kitchen and pronounce Akshya (limitless) blessings over the food. He
looked at the cooked food and loudly said "Akshaya" thrice. Then he
sprinkled water on the food and left.
Sundaramma remembers with awe how food prepared for a hundred people
fed several thousands people easily, even generously. The pot
containing the Prasadam simply never became empty. At last, before
leaving the kitchen, Sundaramma entreated Sri Sathya Sai Baba to let
the pot be empty and then it was easily emptied. 'Such was the nature
of Swami's blessing that it ensured an unending stream of food,' said
Sundaramma.
The event was truly remarkable. The first Akhanda Jyoti, organized by
Seshagiri -Rao, has led the lighting of thousands of other Akhanda
Jyotis on Akhanda Bhajan day in Sai Samithis Bhajan centres
throughout the world." Extracted from Shakuntala Balu's book "Living
Divinity", First edition, 1983, pp.175-177
Glimpses Of The Akhanda Bhajan At Prasanthi Nilayam (1994)
"The Akhanda Bhajan had special significance this year when Bhagavan
lighted the Akhanda Jyoti on November 12, 1994, in the renovated
Prasanthi Mandir. The Mandir wore a new attractive look with seven
artistically designed and exquisitely executed domes replacing the
old ones, besides the huge imposing new Mandap in front for
accommodating the vast concourse of devotees waiting for Darshan. The
Mandap with twenty massive ornamental pillars, covered with shining
polished granite slabs and bearing a lotus-shaped bowl to carry
concealed lighting, transformed the former open Darshan grounds into
a spacious hall with polished black and white marble slabs for the
flooring. Two wings of the hall appeared like two gigantic pianos,
with a series of elephant images decorating the frieze. At night the
Mandir appeared like a Fairy Land with multi-coloured illuminations
setting the Mandir in bold relief and enhancing the beauty of the
sacred edifice."
"The Mandap was filled with thousands of eager devotees from all over
the world while the Mandir was occupied by students from three
campuses of the Sai Institute. On the Akhanda Bhajan day (Saturday,
12th November), Bhagavan came to the Mandap before the Bhajans
started and gave Darshan to all sections of the crowd. The Akhanda
Bhajan commenced at 6:00 p.m. after Bhagavan lighted the Akhanda
Jyoti (lamp) in the Mandir. After the first song on Ganesha sung by
the men students, the Bhajan song, "Akhanda Jyoti Jalao" was sung by
the women students. The Bhajans continued nonstop for twenty-four
hours with men and women leading by turns."
"Bhagavan sat through the Bhajan for nearly two hourc on Saturday. On
Sunday morning, Bhagavan went round the devotees, giving Darshan, and
stayed for the Bhajans for two hours. The Bhajan came to a close at
6.00 p.m. on Sunday, with the distribution of Prasadam to all the
devotees with the-blessings of Bhagavan. Prasadam consisted of
tamarind rice and sweet rice. Bhagavan supervised the distribution of
Prasadam after taking Aarati and stayed on till all were served."
Editor. SS, 12/94, p. 318
Important Questions Concerning Bhajan
QUESTION: Years of Bhajan and Meditation have not borne fruit in me;
I am where I was before. Why?
Sri Sathya Sai Baba: "How can fire be struck from a wet match-stick?
Soaked in worldly desires and caught in material entanglements, how
can the light of wisdom shine in your head? How can you generate the
fire of Jnana" SSS, Vol. X. p. 140
QUESTION: The Lord told Narada that he could find Him installed
wherever His glory is sung by His devotees. Does it mean that He is
installed in the thousands of places where Bhajan is sung?
Sri Sathya Sai Baba: "No. The pre-condition is 'sung by devotees'.
The devotees sing to please God, to acclaim His Majesty. They do not
crave for exhibition, appreciation or fame, nor have they any envy or
pride in their hearts. Tansen was a celebrated singer attached to the
court of Emperor Akbar. He was so talented that when he sang the Raga
Megahmala, clouds gathered thick in the sky. When he sang Varuna,
rain fell. When he sang Nagaswara. serpents flocked before him. One
day while Akbar was engaged in prayer, he heard a Haridasa, a
wandering mendicant, singing a song which touched his heart
immensely. Akbar called Tansen to his presence and asked him why he
could not touch his heart so deeply. 'You have all gifts and are the
most talented singer, yet Haridasa moved me as never before. Why?'
Tansen said, 'Maharaj, while I sing, I look upon your face to
discover whether you are pleased or not. The Dasa sings always
looking at the Face of God before him, and he is happy only when God
is pleased.' Bhajan must be sung from the heart and should not just
emanate from the lips." SSS. Vol. X, pp. 140 & 141
From the book - Festivals at Prasanthi Nilayam - An Exposition by
Bhagavan Sri Sathya Sai Baba - Compiled and Edited by Suresh C
Bhatnagar
Significance of the Akhanda Bhajan can also be found here:
http://sathyasai.org/calendar/akhand.html
Sourced: http://web1.mtnl.net.in/~sairam
Posted at 02:32 pm by saiavatar
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Sri Sai Narayan Baba's Gyan Sagar-Does The Guru Ever Die?
Sri Sai Narayan Baba's Gyan Sagar-Does The Guru Ever Die?
Does The Guru Ever Die?
Can a spiritual dimension be lacking in this? Is it to be found wanting? Are we to think that we are without the guru because the guru is no more? The guru was and now he is not?
The guru never dies because he lives in the disciple. That he may so live, he spends his life entering into the disciple in the form of his idealism, his ideas, his vision, his attitudes, his sense of values. His aim and objective for living is to ceaselessly and continuously strive and work so that he may live forever in and through each and every one of his disciples. The bright light of a candle never ceases to shine once another candle has been lit by its flame. It itself may be snuffed out, but it is already burning brightly upon another candle through another wick—the selfsame light.
Ponder this well! You are the being through whom the guru lives. This is an honour. This is a privilege. This is a great good fortune. It is also a responsibility; it is a duty; it is a truth to be known and kept in mind always: "I must be what the guru has taught me to be. I must be what the guru was." But .......
Somehow there is always a "but." You cannot rebut the previous statement, but Pujya Gurudev himself said in effect many a times: "Do not do what I do, but do as I say. Do what I tell you. I have given you some instructions, carry them out. Don’t try to imitate me. You may emulate me, you may try to be as I am in my nature, in my character, in my lofty, idealistic way of life, in my spiritual personality, but do not imitate me. Emulate me."
Imitation and emulation are two words whose distinction each disciple must know. Sankaracharya put his cloth over his head in a certain way. Today many people imitate that style of wearing a cloth. That is not discipleship; that is not spiritual emulation; that is not what he expected that you would be doing when he wrote Vivekachudamani, Atmabodha etc. He did not write them down so that you would imitate the way he dressed. Do not imitate so you fail miserably.
You must make the vibrant spirituality of the guru live within you, the sublime idealism of the guru live within you, the spiritual teachings of the guru live within you. His loftiness of character and conduct should live within you. His divine nature and the divine way he lived his life should be relived in you. Looking at you, the world should understand the divinity of your guru.
So, Gurudev said: "Do what I tell you to do. Don’t do what I do, because I do it on another level." Gurudev also said: "Obedience is better than reverence." Thus if the disciples know the difference between imitation and emulation and follow him through emulation and obedience, the guru never dies. Sri Sai Baba or Pujya Gurudev Swami Chinmayananda or for that matter any Guru will never die as long as there are sincere striving aspirants like all of you trying to walk the path of divine life, ever striving to fulfil in your thoughts, words and deeds the essence of his teachings.
Who then can say that Sri Sai Baba was and not is. He is and he shall ever continue to be. Why? Because each one of you represents a radiant facet, a shining aspect of his noble, divinely lived life. Therefore, in and through his disciples he lives and continues to inspire hundreds and thousands. This is a great privilege. This is a great guru seva. May you be engaged in doing it, and may you discriminate at every step so that you keep on emulating him and not go off at a tangent merely imitating him.
In physical world, Sri Sai Baba has left His mortal coil, but He is still alive, comes to you when you have Faith & Perceverance & when you remember Him. In the spiritual realm, the guru never dies. The disciples ensure that the light of the guru, the inspiration of the guru, the wisdom teachings of the guru are perpetually ignited & present in human society in and through each one of themselves.
The guru lives, and he shines through each one of his disciples. Each one of you, therefore, are living lights of the Sri Sai Baba's ideals in life. May God and Gurudev’s grace and blessings enable you to do this most effectively, most fully and most successfully for the benefit of all humanity. Let burning of egify of Ranavas destroy all your negatives to enlighten you to march ahead by flying the flag of Life & Teachings of Sri Sai Baba in spreading Love, Affection, Divinity in the entire creation of the creator.OM SAI RAM
Courtesy http://groups.yahoo.com/group/shirdisaiUSA
Posted at 01:21 pm by saiavatar
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Shri G. S. Khaparde Diary
Shri G. S. Khaparde Diary
(Diary of the Hon’ble Mr. G.S. Khaparde (events between 1910 December and 1918 March)
7th December 1910
In the morning after my Pryer, Mr. Baba Saheb Bhate, who is a retired Mamlatdar, came to the Wada and sat talking with us. He has been staying here for some time and has a peculiar kind of calm on his face. We say Sayin Maharaj as he was going out and went to him in the musjid in the afternoon. I, Babasaheb Sahasrabuddhe, my son Baba, Bapushaeb Jog and children went togetherand sat there. Sayin Maharaj appeared to be in good humour. He asked Babasheb Sahasrabuddhe whether he came from Bombay. abasahen replied in the affirmative. Babasaheb was then asked wether he would return to Bombay. He again replied in the affirmative, but added that he could not be certain of remaining there as it would depend on circumstances. Sayin Maharaj remarked, "Yes. It is true, you have many things on hand and have to undertake more. You will be here, you will be hear, you should see yourself. The experiences gone through are real. They are not fanciful. I was here thousand of years ago". The Sayin Maharaj turned to me and started on apparently a new track. He said "This world is funny. All are my subjects. I look upon all equally, but some became thieves and what can I do for them? People who are themeselves very near death desire and make me great deal. They hurt me a good deal, but I said nothing. I kept quiet. God is very great and has his officers everywhere. They are all powerful. One must be content with the state in which good keeps him. But Iam very powerful. I was here eight or ten thousand years ag". My son asked him to tell a story as he told him before. Sayin Maharaj asked what story it was. My son replied that it was a story about three brothers who went to a Musjid. One of them wished to go out and beg. The others did not want him to do that, on the ground that food obatined by begging would be impured and would pollute their chowka. The third brother replied that if the food spoilt the chowka his legs should be cut off & c. Sayin Maharaj said it was a very good story. He would tell another when he was in the humour. My son said he did not know when the thing would happen, and if the hummour recurred after he left, there would not be much use. There upon Sayin Sahib told him that he should rest assured that the story would be told before he left.I ak\sked him why he was angry yesterday and he replied that it was because the Teli said something. Then I asked him why he cried out "Do not Beat. Do not beat" today at the time of the distribution of food, and he replied that he cried out because the patil family was quarrelling and divided among themselves. Sayin Sahib spoke with such a wonderful sweetness and he smilled so often and with such extraordinary grace that the conversation will remain engraved in my memory. Unfortunately other people came and the conversation was interrupted. We were so sorry for it but it could not be helped. We returned talking about it. Tatyasahib Nulkar was not present during the first part of the conversation but came later on. Balasahib Bhate came in the evening and we sat again talking about conversation.
8th December 1910
In the morning, after prayer, we saw Sayin Maharaj As usual when he was going out. Leter on we went to see him in the afternoon but had to turn back as he was washing his feet. Babasheb Sahasrabuddhe, myself, my son and a certain gentleman who came this morning formed the company that went and had to return. Tatyasahib Nulkar did not accompany us. Leter on we went again, but Sayin Sahib dismissed very soon. So we returned. He appeared very much engaged in thinking out something. At night Sayin Sahib slept at the Chavadi and we went to see the procession. It was very nice. The gentleman mentioned above is a Police-Officer, I believe, Head Constable. He was charged with extracting money and tried by the court of sessions. He vowed to visit Sayin Maharaj if he was acquitted. He was acquitted and so came to fulfil his vow. On seeing him Sayin Maharaj appeared affected and said "Ehy did you not stay a few days there? The poor people must have felt disappointed". He repeated this twice. We learnt afterwards that the gentleman's friends pressed him to stay and that he did not comply with their request. He had never seen Sayin Maharaj before. The wonder is how Sayin Maharaj Knew him and said what he did.
Source: www.shrisaibabasansthan.org
Posted at 10:24 am by saiavatar
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How Udhi cured an advanced case of consumption
How Udhi cured an advanced case of consumption
SHIRDI SAI BABA'S MIRACLE THROUGH GURUJI-6
HOW UDHI CURED AN ADVANCED CASE OF CONSUMPTION
Shri B.N. Konar is a clerk in the Bansagar Project Circle office at Rewa. In the Sixties he began suffering from consumption which reached an advanced stage. He began vomitting blood. Being a grand nephew of Guruji (Shri R.N.Konar, who attained samadhi in 1981) of Shri Sai Baba Durbar at Jabalpur, he approached the latter for redress. As was his wont in such cases, Guruji made 21 doses of Udhi and sent them to be taken for 21 days first thing in the morning with honey. It was accordingly done and, stage by stage, the cure was completed. Today B.N.Konar is in good health, married and blessed with a bonny baby boy.
Glory be to Shri Shirdi Sai - Grace be to all
Note : Guruji used to prescribe Udhi with honey in the morning , as a panacea for many ills. H.H. Shri Narasimha Swamiji, a great apostle of Baba used it as the only medicine par excellence.
(Adopted from Divine Miracle of Shirdi Sai Baba - (A RECORD OF THRILLING
EXPERIENCES OF (LATE) DR.P.S.RAMASWAMI)
(AN ARDENT DEVOTEE OF SHRI SHIRDI SAI BABA)
This Book can be read from www.saileelas.org)
Courtesy: http://groups.yahoo.com/group/shirdisaibaba2/
Posted at 09:58 am by saiavatar
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Oct 21, 2004
So Many Ways To Love by Elizabeth Benson
So Many Ways To Love by Elizabeth Benson
Story No.1
There were two incidents involving my car, in which Sri Sathya Sai made his presence known to me. The first incident was, for me, very dramatic. I had read of many incidents regarding Swami’s Omnipotence but never been involved in one. It was very exciting stuff which always happened to others. I was just a very ordinary, older woman who was learning about these things rather late in life.
One day, as I was driving alone in my car, I came across a young person lying on the side of the road, moaning, ( I thought) “Oh, I hit and run!” and I stopped and went back to see what I could do. IT was a young boy about fourteen years of age. As I bent over him to see what was wrong, he was moaning and saying, “Leave me alone, Leave me alone,” I said he couldn’t stay there as he was lying on the road,. “Come along,” I said. “I will take you to the hospital.”
At this, the “victim” jumped up and started to walk off. I was completely bewildered as one minute the youngster was lying moaning and the next walking off. I had not been aware of another car approaching, but he was.
Once this car passed on its way and was out of sight, he turned and came back to me. I was now standing beside my car. The key was till in the ignition and the driving side window was down. As he came up to the car he said to me, “ I think I’m hurt,” and he bent his head and indicated behind his ear in such a way that he was looking into the car.
Quick as a flash he had opened the car door, was in the driver’s seat and turning on the ignition with his left hand while his right slammed shut the car beside him. I had just sufficient presence of mind left to reach in through the window and keep turning the ignition off. This went of for some minutes, until I managed to pull the key out.
Then there was a struggle as he tried to get out of the car and I tried to keep him in it. I thought if he got out he would probably hit me. Finally, in desperation, I said in my mind, “Swami, you will have to do something about this.”
No sooner had I said those words in my mind then I found myself sitting in the car with the key in the ignition, my hands on the steering wheel, and the boy standing outside the car. The amazement I felt is beyond desperation! I hurriedly left the scene while fervently thanking my beloved Sathya Sai. Who knows what may have happened to me if Swami hadn’t come to my rescue.
Story No.2
At that time of the second incident I was driving a Suzuki Hatch two seater. A lady friend had been living with me for some months, so this little two seater suited us very well. However, my sister was coming from New Zealand to visit me and this meant the three of us could not go out together in a two-seater car. By this time I had learnt to talk to Baba about my problems, and I asked him to do something about this one.
When addressing Swami, I have found that one must be very careful about the wording of a request. I told Baba I could put one of my passengers into the back, but it would be uncomfortable for them and also illegal. Indeed, I needed another car for my sister’s visit, I told him. But I certainly was not in a position to buy another car, so it was up to Swami to help me solve my problem.
One Sunday, about ten days before my sister’s arrival, my friend Jane and I had been with the Sathya Sai Service Group visiting our less fortunate fellowmen. We were on our way home in the gloom of an early winter evening, when the driver of the tuck in front of me decided to make a right hand turn, giving no indication either physical or by indicator lights. The end result was that I hit a pole on the road’s grass verge. Jane spent one night in the hospital with whiplash. I had mild shock. The Suzuki was a write off broken down.
Well, Baba had successfully got rid of my car. Now I was without one altogether. As I was not insured this was quite a problem. The young man driving the truck was insured and he was, most definitely, in the wrong, as witnesses could testify. I felt confident of things turning out well for me.
But Swami was not about to make things too easy for me. He made me attend to all the details on my own. He showed me I could handle things if I only tried hard enough.
Within five weeks I had the cheque in my hand to buy another car. Everyone tells me it is unheard of to be paid in such a short time. All thanks must go to Baba for giving me the confidence and the right words to say.
Courtesy : Ramchand Chugani - Kobe Japan
Source: http://sss340.tripod.com/kobe/ways_to_love.htm
Posted at 04:04 pm by saiavatar
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Prof Katsuri's story, Why fear Iam Here
Prof Katsuri's story, Why fear Iam Here
Prof Katsuri says that we not fear when Baba is here. He says you think that there is His assurance"Why fear when I am here"?...and you feel absolutely confident and try to break your neck, because He will save you !
You neglect even the fundamental precautions ! If some one says, "Don't go there," but you go there saying "Ah! Swami is there ! why fear/ That kind of confidence neglecting the very principle of caution.
Swami is in this room, in that room ,in my pocket, in my ring, in my watch...He is everywhere and therefore no precaution! Swami,s picture is in the car, why bother ? You look at it and go faster and fast untill you meet with with some calamity...That is why Swami has said "Because I have said "Why fear when I am here. He said don,t be over confident and foolish..
.If you don,t follow my instructions you will be in trouble, and when you come back I won,t talk to you then, I bypass you. I take diversion untill the bridge is repaired... When you realize your mistakes and correct yourself, I will call you, I will talk to you again. Again
Swami remind us, to be careful. He said, don't be glad for having been close to me and near me, you may be pushed out!... Prof Kasturi say of course, I have been target a number of times! It is difficult thing to decide how near or how far one should be from Swami...It is something like fire. If you go too near, you get burnt! and if you keep too far you get cold!..
.Taking advantage of closeness to Him, feeling it is my due, because I am a big scholar, because I am indispensable to his glory. Such swelling of head will result in being sent out. Number of times this has happened and we have seen this. Swami Says:- Carry on your highest duty to yourself. Following the four F,s: Follow the Master,face the Devil,Fight to the end,and finish the game. Then you win My love, My Love in full measure. Love is my highest Miracle. Love can make you gather the affection of all mankind. Love will not tolerate any selfish aim . Love is God. Live in Love.
Then all is right,all can be well. Expand your heart so that it can encompass all. BABA
Jai Sai Ram,
Ram.Chugani
Source: http://web1.mtnl.net.in/~sairam/
Posted at 03:39 pm by saiavatar
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Who is Devi?
In this world, every individual has a mother. But Truth is the mother of the entire humanity. Those who follow this mother will never face any difficulties in life. The worldly mothers are bound by space and time and will have to leave their bodies at one point of time, but Truth is not limited by space and time and remains the same in all the three periods of time. It is the master of all the three worlds. So, everyone must necessarily follow such a noble mother. The term Devi refers to such a noble mother.
Devi is your Divine Mother. This Goddess Devi is also called Sathya Swaroopini, which means She is the embodiment of Truth. So, worshipping Truth amounts to worshipping the Goddess Devi. If you understand and follow this Truth, you will be successful in every field. Vedas also proclaims this Truth.
Devi is also referred to by various names such as Durga, Lakshmi, Sarasvathi, etc. She is described as the embodiment of Shakti, the universal energy.
The supreme Shakti manifests herself in the form of Durga, Lakshmi and Sarasvathi. Durga grants to us energy - physical, mental and spiritual. Lakshmi bestows on us wealth of many kinds - not just money but intellectual wealth, the wealth of character and others. Even health is a kind of wealth. She grants untold riches to us. And Sarasvathi bestows on us intelligence, the capacity for intellectual enquiry and the power of discrimination. One's own mother is the combination of all these Divine beings. She provides us energy, wealth and intelligence. She constantly desires our advancement in life. So she represents all the three goddesses that we worship.
The term "Devi" also symbolizes the three gunas (or attributes) namely Sathwa, Rajas and Thamas. Devi takes the Rajasic form to suppress the forces of evil and protect the Satwic qualities. When the forces of injustice, immorality and untruth have grown to monstrous proportions and are indulging in a death dance, when selfishness and self-interest are rampant, when men have lost all sense of kindness and compassion, the Atmic principle, assuming the form of Shakti, taking on the Rajasic quality, seeks to destroy the evil elements. This is the inner meaning of the Durga form of Devi.
When the Divine Goddess is in dreadful rage to destroy the wicked elements, She assumes a fearful form. To pacify the dreaded Goddess, Her feminine children offer worship to Her with red kumkum (sacred red powder). The Goddess seeing the blood-red kumkum at her feet, feels assured that the wicked have been vanquished and assumes Her benign form. The inner meaning of the worship of Devi with red kumkum is that thereby the Goddess is appeased.
The significance of Durga, Lakshmi and Sarasvathi has to be rightly understood. The three represent three kinds of potencies in man. Ichchaa Shakti, will power, Kriya Shakti, the power of purposeful action, and Jnaana Shakti - the power of discernment.
Sarasvathi is manifest in man as the power of speech, Vaak. Durga is present in the form of dynamism. Lakshmi is manifest in the form of will power. The body indicates Kriya Shakti. The mind is the repository of Ichchaa Shakti. The Atma is Jnaana Shakti. Kriya Shakti comes from the body, which is material. The power that activates the body that is inert and makes it vibrant is Ichchaa Shakti. The power that induces the vibrations of Ichchaa Shakti is Jnaana Shakti, which causes radiation of energy. These three potencies are represented by the mantra Om Bhur Bhuvah Suvaha. Bhur represents Bhuloka, the earth. Bhuvah represents the life force, conscience in man. Suvaha represents the power of radiation. All three are present in man. Thus Durga, Lakshmi and Sarasvathi dwell in the human heart.
Men are prone to exhibit rajasic qualities like anger and hatred. They are the menacing manifestations of Durga. The extolling of the Divine in song and poetry and the pleasing vibrations produced by them indicate the power of Sarasvathi. The pure qualities that arise in man such as compassion, love, forbearance and sympathy are derived from Lakshmi.
When people worship Durga, Lakshmi and Sarasvathi externally in pictures or icons, they are giving physical forms to the subtle potencies that are within them. The unfortunate predicament of man today is that he is not recognizing the powers within him and developing respect for them. He goes after the external, attracted by the physical forms. The relationship between the material and the subtle has to be understood. The remedy for man's life is contained within himself. But man seeks remedies from outside. All that is needed is to turn the vision inward to experience the Divine within. Convert your ichchaa shakti into a yearning for God. Convert your kriya shakti into a force for doing divine actions. Convert your jnaana shakti into the divine Itself.
-Bhagavan Baba
Source: Divine Discourses
|14 Oct 1988| |18 Oct 1991| |9 Oct 1994| |14 Oct 1994| |25 Sep 1998|
http://www.eaisai.com/baba/docs/devis.html
Posted at 03:25 pm by saiavatar
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Oct 20, 2004
The Lord's Touch
The story of the construction of the Mandir building at Prasanthi Nilayam is a chain of miracles wrought by Bhagawan Sri Sathya Sai Baba's grace. The most astounding was the transport of the huge girders for the central prayer hall from the railway station at Penukonda sixteen miles away. Girders of 40 feet length had come from Trichinopoly (now Tiruchirapalli) to Penukonda by train. The road from Penukonda to Bukkapattanam was a district board road with a sandy stream at the seventh mile and it passed through a few villages with delicately built houses(!) flanking the narrow road on either side with a few acutely angled curves. There was a track of three miles, from Bukkapatanam to Puttaparthi with a few dilapidated culverts and low-level causeways and a broad expanse of the sand of the river Chitravathi. Then there was the task of hoisting the heavy girders on the twenty-foot high walls. Therefore, the engineers gave up all hope of transporting the girders from Penukonda to Puttaparthi and placed before Baba some alternative proposals for roofing the prayer hall. But Baba did not relent.
One fine morning, the Road Transport Officer of Anantapur district, who was a devotee of Baba, woke up to find a surprise in front of his house. It was a huge crane from the Tungabhadra Dam site that had stopped there and refused to move forward. It had struck work! The driver was grappling with the engine in vain. He could not make it move. He sought the help of the Road Transport Officer who thought that the crane was Baba sent(!) for transporting the girders from Penukonda to Puttaparthi. It was agreed that the crane would transport the girders if it were repaired. The R.T.O. hurried to Puttaparthi and prayed to Baba, who materialised some vibhuti (sacred ash) and gave it to him. This vibhuti was smeared on the engine and the driver was asked to start it and lo! the crane started moving. The surprised driver went happily to Penukonda railway station, lifted the girders with the giant arms of the crane and started towards Puttaparthi. The sight of this giant carrying the girders was a great surprise for the villagers who greeted it by lining up on the roadsides. The crane somehow passed over the culverts, negotiated hairpin bends, lurched over the slushes and puffed its way up the Karnatanagapalli hill! It did not move further, may be on seeing the broad sheet of sand of the Chitravathi River! Baba himself went to the crane, sat with the driver and handled the steering wheel. Thrilled by the touch of the Lord, the crane moved happily to the work spot and unloaded the girders.
http://www.srisathyasai.org.in/pages/bhagawan/miracles/Lord.htm
Posted at 04:19 pm by saiavatar
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"I am no longer your Sathya. I am Sai."
"I am no longer your Sathya. I am Sai."
20th October 1940
From: Sathyam Shivam Sundaram
The Life of Bhagavan Sri Sathya Sai Baba
by Prof. N. Kasturi
On the 20th day of October, 1940, the day after they all returned from Hampi by special bus, Sathyanarayana started for school as usual. The Excise Inspector of the place, Sri Anjaneyulu who was very much attached to the little Baba, accompanied Him, as far as the school gate and went home, rather reluctantly. He seemed to see a superb halo, round the face of Baba that day and he could not take his eyes away from that enchantment. Within a few minutes, Baba too turned back to the house. Standing on the outer doorstep, he cast aside the books He was carrying and called out, "I am no longer your Sathya." "I am Sai." The sister-in-law came from the kitchen and peeped out; she was almost blinded by the splendour of the halo, which she saw around Baba's head! She closed her eyes and shrieked. Baba addressed her, "I am going; I don't belong to you: Maya has gone; My Bhakthas are calling Me; I have My Work; I can't stay any longer." And, so saying, He turned back and left in spite of her pleadings. The brother hurried home on hearing all this; but, Baba only told him, "Give up all your efforts to 'cure' Me; I am Sai; I do not consider Myself related to you." Neighbour Sri Narayana Sastri heard the noise; he listened and realised that it was something serious; he ran in; he saw the splendour of the 'halo' and fell at Baba's feet. He too heard the Historic Declaration, "Maya has left; I am going; My work is waiting."
Seshama Raju was nonplussed; he could scarce collect his wits to meet this new situation. A boy, just fourteen, talking of Bhakthas, Work, Maya, and the Philosophy of Belonging! He could think of only one plan: Sathya was entrusted to him by the parents and it was therefore his task to inform them; Sathya could leave the house, only after they came to Uravakonda.
But, Sathya would not step into that building again; He moved out into the garden of Excise Inspector's Bungalow, and sat on a rock, in the midst of the trees. People came into the garden from all directions bringing flowers and fruits; the tope resounded to the voices of hundreds, singing in chorus the lines that Sathya Sai taught them. The first prayer that He taught them that day was, as many still remember,
Maanasa bhajare gurucharanam
Dusthara bhava saagar a tharanam
"Meditate in thy mind on the Feet of the Guru; that can take you across the difficult sea of Samsara."
His classmates wept when they heard that Sathya will no longer attend school, that He was much beyond their reach, that His company was hereafter only for those upon whom He showers His Grace. Many came to the garden with incense and camphor, to worship Him. Some came to sympathise with the family, some to congratulate them. Some came to learn and some, alas, even to laugh!
Three days passed thus in that garden; three days of Bhajan and Namasankirthan. A photographer came with a camera; he wanted Baba to remove a crude stone that was right in front of Him but Baba did not pay heed to that prayer. He clicked nevertheless and lo! As can be seen from the picture of that photograph given in this book, the stone had become an image of Shirdi Sai Baba! But only in the photograph, not for all assembled there.
http://beaskund.helloyou.ws/askbaba/sathyamsivamsundaram/s1006.html
The first Photograph taken after the Declaration, 1940
Posted at 05:23 am by saiavatar
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Oct 18, 2004
Sathya Sai Baba's Leelas
Sai Ram
Giving below a Very touching incident and Baba's mercy on devotees.
RS (name not disclosed), a wonderful human being and a staunch devotee of Baba, had a paralysis of both the legs. He showed to some big doctors and all suggested an emergency operation, but not given any guarantee of success. He and his wife went to Puttaparthi, and he managed to sit in a high cushion instead of the chair, lest Baba do not see him. Baba did came for darshan, joked with others and did not even glanced at him. He felt bad and cursing his fate. The next day Baba came near him and asked what happened. He coult not utter anything, but tears were rolling down. Baba told him to go to the interview room. In the interview room, Baba had materialsed some gold chain and gold bracelet and was giving to others, and RS was once again was feeling why Baba is not attending to him, as he is suffering. Baba knows what to give and to whom and when.
At last Baba asked some others to help RS to go to the inner room. Baba asked him what is his problem. He said my both legs are paralysed and cannot walk. Typical of motherly love, Baba had materialised some vibhuti and He Himself rubbed the vibhuti on both the knees. Just imagine, the God kneels down in front of his devotee and applying the medicine with His own hands. Baba then asked RS to get up, but RS said he cannot. Baba took his hands and made him to walk upto the door and then left him at the door and told him to walk. What a wonder, RS, who was paralysed from waist below 5 minutes back started walking.
This incident happened last year, and RS came to our Samithi this week and narrated this incident. He said I am talking to you standing for the past one hour, but last year I could not even sit, let alone stand or walk.
Tears were rolling from the eyes of the audience. "Baba your mercy is great". It reminded us how Krishna treated Sudama.
http://groups.yahoo.com/group/saibabalist/message/731
Posted at 04:39 am by saiavatar
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